Movie Sixty Five and Two Hundred Ninety Three
The Lady Vanishes was Alfred Hitchcock’s last film before his move to Hollywood. Featuring his trademark sense of humor and mystery, it is undeniably Hitchcock and a great movie.
Admittedly, I am more familiar with Hitchcock’s later work, but The Lady Vanishes is a fantastic film that has held up tremendously well for being over 70 years old. The film takes place mostly on a train. A group of travelers are heading back to England from the fictional European country of Bandrika. As we meet the ensemble cast, Iris (played by Margaret Lockwood) and Miss Froy (May Whitty) become closely acquainted. Iris falls asleep and wakes to find Miss Froy missing but when she asks about her whereabouts, no one on the train seems to remember her ever existing.
The train is the perfect setting for a film like this; it creates a sense of claustrophobia and being trapped. Some of the characters are a bit over the top, but for the most part they are believable. The mystery will certainly leave you guessing and the conclusion pays off.
One thing to note, while The Lady Vanishes is available through the Criterion Collection (cover art pictured), I watched the version on Netflix Instant Watch. The Netflix Instant version is nowhere close to the level of quality expected from Criterion, so I’m fairly sure it’s a different mastering of the film. The picture is a bit fuzzy and the audio was a bit uneven and slightly muddy sounding at times. It doesn’t detract from the viewing experience unless you are a total purist, but it’s something to consider.
The Lady Vanishes put me in the mood for more Hitchcock films, and not just his later works. Hitchcock truly was a master at his craft. The Lady Vanishes is a fun mystery and a great film to boot.
I give it 4 Hitchcock cameos out of 5.
[Update] I recently watched the Criterion blu-ray and my suspicions of the picture quality are mostly true. There are still some scratches and dust present, but the picture quality is far and away superior. The audio was still a bit uneven but not to the point of having to have the remote handy to turn up and down as needed. While this is still a great movie, I would easily recommend the Criterion versions in every way. Plus, the special features are pretty solid