Movie One Hundred Sixty Eight
In High Fidelity, a record store owner details his “top 5 breakups of all time” after the end of his most recent relationship.
Rob Gordon (John Cusack) gets dumped by his girlfriend, Laura (Iben Hjejle), and recounts his previous relationships and, more importantly, breakups leading up to this one. The owner of a small record store in Chicago, Rob’s life revolves around music and top five *whatever* lists. As Rob commiserates with his employees Dick (Todd Louis0) and Barry (Jack Black), he discovers that his lack of commitment to Laura was really the problem and decides to rectify that in the form of the perfect mixtape.
In many ways, High Fidelity is a fairly typical John Cusack movie where he plays a broken-hearted, kind of dopey but lovable guy. That may sound like a knock against both High Fidelity and John Cusack, but I assure you, it’s meant sincerely. One key difference here is that the film is from 2000, not the 1980s. This means Cusack is a bit older but playing the same roles as before and it works flawlessly. Rob is a guy stuck in his early 20s that laments days gone by. It could almost play as a sequel to an 80s Cusack movie where the lead character gets stuck in a rut after high school and has to get his act together.
Other than Cusack, the rest of the cast really delivers High Fidelity above average. Jack Black, who was still relatively unknown for a supporting role, brings his specific comedy sense to the film and has some of the best scenes in the movie. The biggest draw to High Fidelity may very well be the soundtrack which is diverse and colorful. The music follows the film and a song never feels out of place or forced in for marketing purposes.
High Fidelity is a film that is just a good watch if you enjoy John Cusack’s early work. While I don’t think anything will top Say Anything, High Fidelity ranks high on my list.
I give it 4 Jack Black “dancing”s out of 5.