The Decalogue is a series of ten films loosely based on the ten commandments.
At a glance, it would be easy to write off Krzysztof Kieslowski’s The Decalogue as religious propaganda or something similar, but that does not seem to be the intention. This is not a heavy handed approach to religion, or even morality. Though there are ten films in the series, each film does not explicitly follow a single commandment. In fact, the series focuses more on people than religion. The films are simple but powerful and though originally shot for Polish television, they are shot beautifully. The quality of the picture is not amazing and the translation seems a bit loose at times, but once you find yourself wrapped up in the story, you likely won’t even notice these things.
Majka (Maja Barelkowska) lives at home with her mother, Ewa (Anna Polony) and her young daughter, Ania/Anika (Katarzyna Piwowarczyk). Since Majka had Ania at such a young age, with an older man, to avoid scandal, the family decided to portray Ewa as Ania’s mother. Even Ania thinks Ewa is her actual mother. Majka wishes to leave the country with Ania but needs her mother’s approval to do so, but she decides to kidnap Ania instead after a school play.
Decalogue VII should have been a great film but something about it simply did not work for me. I don’t know if it was Majka as a character or the actress that played her, but I could not connect at all. It’s a shame too, because the ending of this film is one of the more moving pieces of the series and it fell flat for me. As with the other films of The Decalogue, the moral ambiguity presented here is fascinating, in fact the story is one of the better ones so far. Did Majka really kidnap her daughter or did she have the right to? Will the family ever be able to come back from this? I will admit that Decalogue VII had me thinking but unfortunately watching it was a bit of a chore.
I give it 3 out of 5.