Looper (12/31/12)

LooperMovie Three Hundred Two

In Looper, time travel is used by the mafia to dispose of people and a young hitman soon finds his future self his target.

In 2074, time travel is illegal and used only on the black market by criminals looking to dispose of bodies. They send the victims back 30 years, strapped with cash where a hitman known as a “looper” on the other end finishes the job and collects the payment from the body with the only condition being that the victims do not escape. When a looper’s time is finished, his future self is sent back for the younger looper to kill; this is known as closing the loop.  Joseph Simmons (Joseph Gordon-Levitt) is a looper whose future self, Old Joe (Bruce Willis), as his hit but Old Joe escapes. Old Joe and Young Joe meet at a diner and Old Joe says is looking to stop a mysterious figure in the future known only as The Rainmaker who is the one closing all the loops. Young Joe finds some coordinates from Old Joe and heads to an isolated farm where Sara (Emily Blunt) lives with her young son, Cid (Pierce Gagnon), who Old Joe believes may be The Rainmaker.

I went into Looper with very lofty expectations. Though I missed the theatrical run, I have seen nothing but glowing praise for the film since its release. I’m afraid that my expectations were not quite met by Looper though I did thoroughly enjoy most of it. Time travel is both Looper’s biggest asset and point of contention for me. Looper is a bit of a refreshing take on time travel and it gets away from many of the quirks of telling a time travel story, but it also kind of crudely pushes aside the belief that Old Joe can exist.

Let me explain, and I assure you this is not a spoiler – For Old Joe to exist in the future, Young Joe would have to kill him in the past. The same scene with Old Joe escaping plays out in the film with Old Joe getting killed, thus allowing Young Joe to grow old and live his life to become Old Joe. I was able to suspend my disbelief for the sake of the rest of the film, but while talking in the diner, Young Joe asks about time travel and Old Joe gruffly talks about how it’s too difficult to explain and then they move on. I understand that time travel is a difficult concept to portray but something about this didn’t jibe with me. Also, don’t try to figure out if anyone else in 2034 is from the future, I did and it was futile and may even hinder your enjoyment of the story.

Time travel quibbles aside, I found Looper to be extremely well made. Joseph Gordon-Levitt with his makeup on looks remarkably like Bruce Willis. Gordon-Levitt even has most of Willis’ mannerisms down pat, it’s a lot of fun to watch. Pierce Gagnon, the youngest actor in Looper by about 20 years, possibly gives the best performance of the film. Writer/director Rian Johnson creates a very believable setting, all things considered, and makes Looper a smart action film, a combination that unfortunately doesn’t seem to come along very often.

I give it 4 completely awesome Mondo posters out of 5.

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Moonrise Kingdom (7/4/12) & (11/14/12)

Movie One Hundred Fifty Five and Two Hundred Sixty One

Set in New England in 1965, Moonrise Kingdom is the story of two young lovers that don’t fit in with others and decide to run away together as the rest of the island sets out in search of them.

At the khaki scout camp, led by Scout Master Ward (Edward Norton), they discover a scout has escaped. The scout is young Sam Shakusky (Jared Gilman) and we learn that he has run away from camp to be with his love, a young girl named Suzy Bishop (Kara Hayward). Suzy lives on the island with her parents (Bill Murray and Frances McDormand) and younger brothers but doesn’t fit in with the other kids. Suzy and Sam had met several years prior and had remained in touch via letter. After the two run away, the entire khaki scout camp, the Bishops, policeman (Bruce Willis), and other set out to rescue the young lovers.

Moonrise Kingdom is one of the most stylistic movies I’ve ever seen, even more than Wes Anderson’s other films. The color palette is heavy on yellows and browns but everything still feels campy and awesome. I have long found Anderson’s work to be a bit hit or miss, and Moonrise Kingdom is easily the film I think where his unique brand shines the brightest. The quirky characters, the motifs, the sets, the props, the color palates, the score…Everything works wonderfully here and creates a film so full of wonder and amazement.

Both child leads are non-actors starring in their first feature, which is incredibly impressive given their performances. They both give deadpan deliveries, which in the case of Sam Shakusky, I thought gave Moonrise Kingdom most of its laughs. The entire cast is wonderful. Who in their right mind could complain about a film with Bill Murray, Edward Norton, and Bruce Willis together?

If you have any preconceived notions of what a Wes Anderson film entails, Moonrise Kingdom will not change your mind, but it’s almost as if Anderson has taken his style and cranked it to the maximum and the end results work better than most of his other films. The whimsy here is something that few other movies could ever hope of portraying. Not only is Moonrise Kingdom my favorite Anderson film to date, but it is my favorite film of 2012 thus far. Try to watch it without a smile plastered on your face the entire time.

I give it 5 seriously amazing soundtracks out of 5.

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