Drive (2/2/12 and 2/3/12 and 6/18/12 and 10/5/12)


Movie Nineteen and Twenty One and One Hundred Forty Four and Two Hundred Twenty Three

Drive is my favorite movie of 2011. Drive also has some of the most abhorrent cover art ever, I literally hate to even post it. After the movie’s release it seemed like people either loved it or hated it, and I think I can pinpoint why that is.

First off, the trailer gives the impression of an edge-of-your-seat nonstop car chase. That is not the case, though there are several amazingly tense chase sequences. Second off, there is actually very little dialog in the movie, and the star, Ryan Gosling, has only a few lines. The film is very moody and very powerful if you are willing to pay attention. This also brings me back to the cover because for some reason Sony Pictures decided to make the film look like a straight to DVD horror movie.

Not. Even. Close. There is a fair amount of graphic violence, though.

Drive is a movie that requires multiple viewings, in my opinion. Because there is little dialog there is much open to interpretation and much to be missed. This is partly why I watched Drive two nights in a row, the other reason is because I love Drive.

Despite all my love for the film, I am cautious to wholeheartedly recommend it to everyone. It’s not for everyone, and I don’t think it tries to be. It rewards its viewers with a moody atmosphere, terrific retro soundtrack, great characters, exciting chases, and fantastic performances (Albert Brooks as the villain is perfect casting). If you watch Drive and love it, welcome to the club. If you watch Drive knowing what to expect and still don’t like it, thanks for giving it a shot. If you watch it and don’t like it because of what it doesn’t do, then sorry you watched it.

I give it 5 stolen black Mustangs out of 5.

PS – This is what I wish the cover art had been

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