The Royal Tenenbaums (11/15/12)

The Royal TenenbaumsMovie Two Hundred Sixty Two

The Royal Tenenbaums is the story of a family brought back together by their ailing, estranged patriarch.

The young Tenenbaum children are all prodigies; Chas is business savvy, Margot, who was adopted, wrote a successful play, and Richie is a tennis star. Their parents, Royal (Gene Hackman) and Etheline (Anjelica Huston), are getting a divorce. Twenty two years later, Royal is getting evicted from his hotel room where he has been staying. After hearing that his wife’s accountant, Harry (Danny Glover) is trying to marry Etheline, Royal devises a plan and says he is dying of cancer and wants to stay in their house and reunite the family. As adults, the children are all in post-success slumps. Chas (Ben Stiller), is still in business but has become obsessively protective over his sons after their mother’s death. Margot (Gwyneth Paltrow), is married to a neurologist named Raleigh St. Clair (Bill Murray) but hides her life from him. Richie (Luke Wilson) had a breakdown as a tennis star.

When a film has a huge ensemble cast, it is easy for the plot to get lost in the mix but Wes Anderson not only keeps the characters unique and interesting in The Royal Tenenbaums, but the plot is one of his best too. Each character has their own cross to bear and when they are under the same roof again, their stories are interesting on their own, but together they become something special. Admittedly, there is a lot to take in and some of the quirk that is special to Anderson’s films may put some people off but I would argue that The Royal Tenenbaums is possibly Anderson’s most accessible film.

I watched The Royal Tenenbaums again after watching Moonrise Kingdom for a second time and when viewed back-to-back, the films are actually very different in some respects, though both very Anderson-y. Where Moonrise Kingdom cranks the ’60s nostalgia and colors all the way up, The Royal Tenenbaums is brightly colored but also kind of washed out. The Royal Tenenbaums feels more realistic but also has many of the same fantastical things that Anderson is known for. The Royal Tenenbaums is clearly intended for adults but Moonrise Kingdom would likely be enjoyable for young teens and adults for different reasons.

It’s difficult to speak of Wes Anderson’s films since he has crafted such a unique “formula” for his work. While, at times, this style can be a bit too much or get in the way of the storytelling, but The Royal Tenenbaums is more of a character story with great, innovative set pieces and shots. That’s not to say that The Royal Tenenbaums is a serious film, it’s actually quite funny, but the camp aspect is scaled back a bit.

The Royal Tenenbaums was recently released on blu-ray by the Criterion Collection and is an improved package over the DVD edition they also put out. The special features remain the same, but they are spectacular for fans of Anderson’s work. The commentary and behind the scenes footage are worth it alone, but the set offers much more. The picture and sound are both spectacular, as expected.

The Royal Tenenbaums was my favorite Wes Anderson film before Moonrise Kingdom came out. I had a guy stop me in Barnes and Noble a few weeks ago asking my opinion of the movies he was holding. He had Bottle Rocket, Rushmore, and The Royal Tenenbaums in his hand and said he had never seen a Wes Anderson movie before. I gave my brief impressions of each and asked which sounded the best to him, he picked Rushmore and I went along with it but urged him to check out Moonrise Kingdom if he liked it. If I had seen the blu-ray presentation of The Royal Tenenbaums before that conversation, however, I would likely have steered him differently.

I give it 4 Mordecais out of 5.

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Bottle Rocket (7/26/12)

Movie One Hundred Seventy Five

Bottle Rocket follows a trio of friends that plans a series robberies and then goes on the run.

At the start of the film, Anthony (Luke Wilson) is voluntarily staying at a mental hospital for exhaustion. His friend, Dignan (Owen Wilson), plans to break him out of there, not knowing Anthony is there voluntarily. Dignan then tells Anthony about his 75 year plan, which involves a series of robberies and to meet up with Mr. Henry (James Caan). They include their friend Bob (Robert Musgrave) on the plan as their driver. The three steal a small sum of money from a bookstore and then go on the lam, staying at a small motel. Anthony ends up falling in love with one of the housekeepers, Inez (Lumi Cavazos). Upon returning home, they meet up with Mr. Henry for another big heist that doesn’t go to plan.

While I realize the description of the film sounds kind of dark and action-packed, this is a Wes Anderson movie. His first full-length film, actually. Fans of his work will recognize many of his signature touches in the soundtrack, the characters, the dialogue, and the editing, but his style has certainly been refined over the years. Whereas Moonrise Kingdom has all of Anderson’s touches pushed to their limits, Bottle Rocket seems very subdued in comparison. Some may consider this a good thing but I personally prefer Anderson’s later work.

The Wilson brothers (the lesser-known Wilson brother, Andrew, also has a small role) are  in their feature debut too and it’s actually refreshing to see them so young. I’m not much of a fan of Owen Wilson, who also co-wrote Bottle Rocket with Anderson, but as Dignan he is likable. The plot meanders a lot but it’s not necessarily a fault so much as its a quirk. I can certainly understand why it would be off-putting to some, but the showcase here is more on the characters and their adventure rather than the adventure itself, that’s just how Anderson’s films are.

Fans of Anderson will no doubt enjoy Bottle Rocket but I would be surprised if it ranks high on the ‘favorite’ lists of many. While it’s not a bad film, Anderson has clearly grown as a writer and a director, even for his sophmore film, Rushmore. If you are new to Wes Anderson’s films, I would recommend starting with another film (personally, Moonrise Kingdom is my favorite) and then work your way through the rest of his catalog. Bottle Rocket is fun and enjoyable but doesn’t always feel deeper than the short film it’s based on.

I give it 3 “why is there tape on your nose?” “exactly!”s out of 5.

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Moonrise Kingdom (7/4/12) & (11/14/12)

Movie One Hundred Fifty Five and Two Hundred Sixty One

Set in New England in 1965, Moonrise Kingdom is the story of two young lovers that don’t fit in with others and decide to run away together as the rest of the island sets out in search of them.

At the khaki scout camp, led by Scout Master Ward (Edward Norton), they discover a scout has escaped. The scout is young Sam Shakusky (Jared Gilman) and we learn that he has run away from camp to be with his love, a young girl named Suzy Bishop (Kara Hayward). Suzy lives on the island with her parents (Bill Murray and Frances McDormand) and younger brothers but doesn’t fit in with the other kids. Suzy and Sam had met several years prior and had remained in touch via letter. After the two run away, the entire khaki scout camp, the Bishops, policeman (Bruce Willis), and other set out to rescue the young lovers.

Moonrise Kingdom is one of the most stylistic movies I’ve ever seen, even more than Wes Anderson’s other films. The color palette is heavy on yellows and browns but everything still feels campy and awesome. I have long found Anderson’s work to be a bit hit or miss, and Moonrise Kingdom is easily the film I think where his unique brand shines the brightest. The quirky characters, the motifs, the sets, the props, the color palates, the score…Everything works wonderfully here and creates a film so full of wonder and amazement.

Both child leads are non-actors starring in their first feature, which is incredibly impressive given their performances. They both give deadpan deliveries, which in the case of Sam Shakusky, I thought gave Moonrise Kingdom most of its laughs. The entire cast is wonderful. Who in their right mind could complain about a film with Bill Murray, Edward Norton, and Bruce Willis together?

If you have any preconceived notions of what a Wes Anderson film entails, Moonrise Kingdom will not change your mind, but it’s almost as if Anderson has taken his style and cranked it to the maximum and the end results work better than most of his other films. The whimsy here is something that few other movies could ever hope of portraying. Not only is Moonrise Kingdom my favorite Anderson film to date, but it is my favorite film of 2012 thus far. Try to watch it without a smile plastered on your face the entire time.

I give it 5 seriously amazing soundtracks out of 5.

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